News (Media Awareness Project) - UK: Series: Part 4 Of 17 - Boom Or Bust |
Title: | UK: Series: Part 4 Of 17 - Boom Or Bust |
Published On: | 2002-04-21 |
Source: | Observer, The (UK) |
Fetched On: | 2008-01-23 12:14:53 |
Series: Drugs Uncovered: Part 4 Of 17
BOOM OR BUST?
Attitudes towards drugs have relaxed in the past decade, but is this
liberation or defeatism?
Britain has never felt so comfortable with its drugs even as they
continue to disturb, to dismay and to shock.
This becomes clearer with every line drawn in the legal sand, every
tragedy publicly shared, every celebrity exposed, every time a gun is
fired and drugs are blamed.
Many Britons probably continue to regard illegal drugs as sinister
and fundamentally wrong.
In these basic respects, attitudes may not have changed much in the
15 to 20 years since drugs began to be treated as a national problem.
But the atmosphere today is different.
Despite the headlines, the air of panic has been dispelled.
Many Britons may not like drugs; some detest them. But we all accept
that we have to live with them.
At first, the more people saw or heard about drugs, the more alarmed
they became. Now, each new report or incident in the street
underlines the truth that drugs are here to stay. People are getting
used to drugs, and slowly getting the measure of them. When parents
read of a young person dying because of drug abuse they cannot help
but sympathise with the bereaved parents, and many will wonder what
risks their own children may be running. But precisely because drugs
are so prevalent, parents have become used to the anxiety.
Half, according to The Observer poll , do not think their own
children would try drugs.
When people hear of 'turf wars' between dealers, they may be
appalled, but they will probably not feel personally threatened
unless they live so close to the disputed turf that they can hear the
shooting.
Drugs are even a laughing matter these days. Broadsheet newspaper
columnists can regale their readers with anecdotes about activities
that, if presented as evidence in court, might earn them substantial
prison sentences.
MTV can present its UK viewers with a cannabis night, in the
confidence that it will arouse little more controversy than a Kylie
weekend.
All it lacks are ads for hash and Dutch skunk.
Earlier in the evening, it is now considered acceptable to make jokes
about being 'addicted' to 'Charlie' in front of Blind Date's family
audience.
Jokes and knowing references are a sign that attitudes to legal and
illegal drugs are beginning to converge.
If you make jokes about drinking, nobody will blame you for the
alcoholics in the park or the victims of drunk drivers.
But back in the harsh climate of the 'war on drugs', careless remarks
amounted to collusion with the enemy.
It is possible that this layer of complacency may co-exist
indefinitely with support for prohibition. Inconsistency is the rule,
after all, from the legality of some drugs but not others, to the
assumption made by many drug users that although the law should stay
in place, they are entitled to remain above it. Or this complacency
may after all represent a softening of opinion that will eventually
translate into support for changes in the way that our society
handles drugs.
One straw in the wind is a question asked in a previous poll: 'Do you
agree or disagree that using cannabis is no worse than smoking or
drinking?' Four years ago, only a third agreed.
In The Observer poll, we now find cannabis ranked bottom of our
'health risk' table, way below alcohol and tobacco. Something
significant is going on here, and if we can make sense of it, we may
understand ourselves better as a society.
Why, after 80-odd years of prohibition and periodic panics, and with
levels of drug use apparently as high as they have ever been, should
anxieties have abated rather than intensified?
Surveys of drug use, such as The Observer poll and the British Crime
Survey (BCS), offer some pointers.
The Observer poll and the 2000 BCS figures agree that about three in
10 of us have taken a drug illegally at least once in our lives.
Half of those aged under 25 have used an illegal drug at least once;
nearly a third of that age group have done so in the past year, and
nearly a fifth in the past month.
These results put Britain at the top of the European tables for
illegal drug use. They do not reflect a consistent national attitude
towards intoxicating substances, as British alcohol consumption is
close to the European average; though they may perhaps reflect
different attitudes to intoxication itself.
For the population as a whole, levels of drug use continue to rise,
though in a relatively measured fashion. (Cocaine, whose use is
increasing sharply, is a notable exception.) And this may be the
basis for the recent relaxation of attitudes towards drugs.
Although people are not aware of the statistics, they have an idea of
what is going on around them, and in general they are pretty
confident that things are not getting dramatically worse, though
consumption continues to increase.
That is one of the main differences between the present moment and
much of the past couple of decades.
The first wave of mass drug use, in the 1960s and 1970s, was
psychedelic in its pretensions and exclusive socially.
In the 1980s drugs began to look like a menace to society as a whole.
Then came raves, in the late Eighties. Hallucinatory states and drug
experience became part of growing up for a large minority of British
youth.
In some respects, though, perspectives on drugs have narrowed.
One of the striking aspects of the drug panic of the early Eighties
was its commitment to social inclusion.
The drug that defined the problem was heroin.
It stood not only as the end-point to which drug taking led, but also
as a symbol of the processes that were pulling society apart.
Heroin was seen as a terrible side-effect of Thatcherite economic
reforms, preying on the regions that were vulnerable after the
destruction of their industries.
At the same time, heroin was understood to be a great leveller.
Stories about addicts on council estates were complemented by
accounts of addiction among people who grew up on country estates.
As the cracks grew in the consensus that the affluent had some
responsibility for the poor, heroin stories reasserted that rich and
poor were in it together.
Today, the comfortable classes have shed much of the guilt they once
felt about those who don't enjoy the affluence of the majority.
And heroin hardly figures in public discussion any more. It stands out, though.
Whereas illegal drug use in general is a crime of affluence, being
most common among the better-off, heroin is an exception.
It is much more prevalent among the poor than the rich or those in
the middle, and so, instead of being used to symbolise the plight of
the poor, it is ignored.
The recent publicity surrounding the tragic death of Rachel Whitear,
the young woman whose parents released images of her body as it was
found after her death from a heroin overdose, was an exception that
proved the rule: the fact that Whitear came from a middle-class
background may explain some of the shock those images evoked.
But in general, Britain's heroin addicts are ignored.
A similar indifference may have neutralised another source of fear.
Urban shootings are often attributed to rivalry between drug dealers.
As well as overstating the role of drugs in disputes between men,
this suggests that the violence is an internal matter, rather than a
threat to the wider world. The communities in which the gunmen live
are not seen to be the concern of others. There is a racial element
to this - although it's worth noting that, according to the BCS,
black Britons and other ethnic minorities take fewer drugs than
whites - but even if race was not an issue, a class barrier would
still exist.
Another kind of indifference has certainly changed the way that drugs
are regarded. The tone of the times is blase.
It is unfashionable to admit shock or distaste at any aspect of
recreational culture, and that includes drugs. Add to this the ageing
of once-threatening rock stars into figures of fun, and of the rave
generation into middle management young professionals, and the
domestication of drugs is well under way. Already it looks like a
foregone conclusion. Drugs are the one glaring anomaly in a culture
and an economy based on the pursuit of pleasure and sensation.
Over a quarter of a century, for example, women have been encouraged
by magazines and novels to pursue sexual pleasure in the course of
personal development and for its own sake. Over a similar period -
Star Wars and Cosmopolitan magazine hail from the same era - viewers
have sat stunned before a succession of increasingly spectacular film
productions. While in music, the number of speakers multiplies and
the bass goes ever lower.
What drugs do is what this culture is all about.
The desire for a drug-induced high is mirrored by the pursuit of
pleasure and entertainment that is so much a part of our culture.
To a large extent, drugs have inspired culture, and parts of it would
not exist without them. But while just about everybody would affirm
the joys of sex and spectacle, despite wide differences of opinion
about their proper place and content, drug taking is the one source
of sensual pleasure that is still widely felt to be wrong in itself.
It is the one standing pillar of a moral edifice that has long since
crumbled, in which sensual pleasure had always to be pursued in the
service of a higher cause, such as married love. Nowadays it is
difficult to express moral concerns about the pursuit of pleasure, so
these are translated into concerns about the risks that drug users
run. Right and wrong have been replaced by health and safety issues.
Drug policy has followed a similar path. With the moral pressure
eased, the authorities have been able to follow the voluntary
sector's advice and promote 'harm reduction' policies.
Instead of zero tolerance, the Home Office suggests chill-out rooms;
instead of declaring a war on drugs, it sets performance targets for
reductions in drug use. The problem is estimated to cost between
?10.6bn and ?18.8bn a year in England and Wales, almost all of it
down to a hard core of at least 281,125 'problem drug users'. These
days the name of the game is management.Fortunately for the
Government, the British have a weakness for fudge.
In the case of cannabis, many people seem to have resolved the
contradictions by deciding that it is now legal.
If middle-class parents who have stopped hiding their Rizlas from
their children could make that mistake, who can blame teenagers for
having only a hazy idea of what illegality means?
Along with the muddle, though, there is an unprecedented openness
towards dialogue about drugs.
The current tone was recently epitomised in an episode of The
Archers, with a heady scene in which teenager Fallon Rogers was able
through ecstasy to tell her mother how much she loved her. Her
mother, Jolene, responded with model concern, measured to warn, but
not alienate, her daughter.
Britain now feels relatively comfortable about drugs in part because
the country has begun to look more stable than in recent years.
Drugs were part of the upheavals of the early Eighties, and of the
onrushing consumer economy that developed later in the decade. Drugs
seemed to be symptoms of processes that were uncertain and possibly
out of control.
In the present equilibrium, conditions have never been better for a
thoughtful national conversation about drugs, despite the hectic
impression created by explosive headlines and chattering columnists.
But it may only be a pause for reflection. When the ground beneath
our feet begins to rumble, and seems to tilt once again, drugs may
get their demons back.
. Marek Kohn's Dope Girls: The Birth of the British Drug Underground
is published by Granta
__________________________________________________________________________
Distributed without profit to those who have expressed a prior interest in
receiving the included information for research and educational purposes.
---
BOOM OR BUST?
Attitudes towards drugs have relaxed in the past decade, but is this
liberation or defeatism?
Britain has never felt so comfortable with its drugs even as they
continue to disturb, to dismay and to shock.
This becomes clearer with every line drawn in the legal sand, every
tragedy publicly shared, every celebrity exposed, every time a gun is
fired and drugs are blamed.
Many Britons probably continue to regard illegal drugs as sinister
and fundamentally wrong.
In these basic respects, attitudes may not have changed much in the
15 to 20 years since drugs began to be treated as a national problem.
But the atmosphere today is different.
Despite the headlines, the air of panic has been dispelled.
Many Britons may not like drugs; some detest them. But we all accept
that we have to live with them.
At first, the more people saw or heard about drugs, the more alarmed
they became. Now, each new report or incident in the street
underlines the truth that drugs are here to stay. People are getting
used to drugs, and slowly getting the measure of them. When parents
read of a young person dying because of drug abuse they cannot help
but sympathise with the bereaved parents, and many will wonder what
risks their own children may be running. But precisely because drugs
are so prevalent, parents have become used to the anxiety.
Half, according to The Observer poll , do not think their own
children would try drugs.
When people hear of 'turf wars' between dealers, they may be
appalled, but they will probably not feel personally threatened
unless they live so close to the disputed turf that they can hear the
shooting.
Drugs are even a laughing matter these days. Broadsheet newspaper
columnists can regale their readers with anecdotes about activities
that, if presented as evidence in court, might earn them substantial
prison sentences.
MTV can present its UK viewers with a cannabis night, in the
confidence that it will arouse little more controversy than a Kylie
weekend.
All it lacks are ads for hash and Dutch skunk.
Earlier in the evening, it is now considered acceptable to make jokes
about being 'addicted' to 'Charlie' in front of Blind Date's family
audience.
Jokes and knowing references are a sign that attitudes to legal and
illegal drugs are beginning to converge.
If you make jokes about drinking, nobody will blame you for the
alcoholics in the park or the victims of drunk drivers.
But back in the harsh climate of the 'war on drugs', careless remarks
amounted to collusion with the enemy.
It is possible that this layer of complacency may co-exist
indefinitely with support for prohibition. Inconsistency is the rule,
after all, from the legality of some drugs but not others, to the
assumption made by many drug users that although the law should stay
in place, they are entitled to remain above it. Or this complacency
may after all represent a softening of opinion that will eventually
translate into support for changes in the way that our society
handles drugs.
One straw in the wind is a question asked in a previous poll: 'Do you
agree or disagree that using cannabis is no worse than smoking or
drinking?' Four years ago, only a third agreed.
In The Observer poll, we now find cannabis ranked bottom of our
'health risk' table, way below alcohol and tobacco. Something
significant is going on here, and if we can make sense of it, we may
understand ourselves better as a society.
Why, after 80-odd years of prohibition and periodic panics, and with
levels of drug use apparently as high as they have ever been, should
anxieties have abated rather than intensified?
Surveys of drug use, such as The Observer poll and the British Crime
Survey (BCS), offer some pointers.
The Observer poll and the 2000 BCS figures agree that about three in
10 of us have taken a drug illegally at least once in our lives.
Half of those aged under 25 have used an illegal drug at least once;
nearly a third of that age group have done so in the past year, and
nearly a fifth in the past month.
These results put Britain at the top of the European tables for
illegal drug use. They do not reflect a consistent national attitude
towards intoxicating substances, as British alcohol consumption is
close to the European average; though they may perhaps reflect
different attitudes to intoxication itself.
For the population as a whole, levels of drug use continue to rise,
though in a relatively measured fashion. (Cocaine, whose use is
increasing sharply, is a notable exception.) And this may be the
basis for the recent relaxation of attitudes towards drugs.
Although people are not aware of the statistics, they have an idea of
what is going on around them, and in general they are pretty
confident that things are not getting dramatically worse, though
consumption continues to increase.
That is one of the main differences between the present moment and
much of the past couple of decades.
The first wave of mass drug use, in the 1960s and 1970s, was
psychedelic in its pretensions and exclusive socially.
In the 1980s drugs began to look like a menace to society as a whole.
Then came raves, in the late Eighties. Hallucinatory states and drug
experience became part of growing up for a large minority of British
youth.
In some respects, though, perspectives on drugs have narrowed.
One of the striking aspects of the drug panic of the early Eighties
was its commitment to social inclusion.
The drug that defined the problem was heroin.
It stood not only as the end-point to which drug taking led, but also
as a symbol of the processes that were pulling society apart.
Heroin was seen as a terrible side-effect of Thatcherite economic
reforms, preying on the regions that were vulnerable after the
destruction of their industries.
At the same time, heroin was understood to be a great leveller.
Stories about addicts on council estates were complemented by
accounts of addiction among people who grew up on country estates.
As the cracks grew in the consensus that the affluent had some
responsibility for the poor, heroin stories reasserted that rich and
poor were in it together.
Today, the comfortable classes have shed much of the guilt they once
felt about those who don't enjoy the affluence of the majority.
And heroin hardly figures in public discussion any more. It stands out, though.
Whereas illegal drug use in general is a crime of affluence, being
most common among the better-off, heroin is an exception.
It is much more prevalent among the poor than the rich or those in
the middle, and so, instead of being used to symbolise the plight of
the poor, it is ignored.
The recent publicity surrounding the tragic death of Rachel Whitear,
the young woman whose parents released images of her body as it was
found after her death from a heroin overdose, was an exception that
proved the rule: the fact that Whitear came from a middle-class
background may explain some of the shock those images evoked.
But in general, Britain's heroin addicts are ignored.
A similar indifference may have neutralised another source of fear.
Urban shootings are often attributed to rivalry between drug dealers.
As well as overstating the role of drugs in disputes between men,
this suggests that the violence is an internal matter, rather than a
threat to the wider world. The communities in which the gunmen live
are not seen to be the concern of others. There is a racial element
to this - although it's worth noting that, according to the BCS,
black Britons and other ethnic minorities take fewer drugs than
whites - but even if race was not an issue, a class barrier would
still exist.
Another kind of indifference has certainly changed the way that drugs
are regarded. The tone of the times is blase.
It is unfashionable to admit shock or distaste at any aspect of
recreational culture, and that includes drugs. Add to this the ageing
of once-threatening rock stars into figures of fun, and of the rave
generation into middle management young professionals, and the
domestication of drugs is well under way. Already it looks like a
foregone conclusion. Drugs are the one glaring anomaly in a culture
and an economy based on the pursuit of pleasure and sensation.
Over a quarter of a century, for example, women have been encouraged
by magazines and novels to pursue sexual pleasure in the course of
personal development and for its own sake. Over a similar period -
Star Wars and Cosmopolitan magazine hail from the same era - viewers
have sat stunned before a succession of increasingly spectacular film
productions. While in music, the number of speakers multiplies and
the bass goes ever lower.
What drugs do is what this culture is all about.
The desire for a drug-induced high is mirrored by the pursuit of
pleasure and entertainment that is so much a part of our culture.
To a large extent, drugs have inspired culture, and parts of it would
not exist without them. But while just about everybody would affirm
the joys of sex and spectacle, despite wide differences of opinion
about their proper place and content, drug taking is the one source
of sensual pleasure that is still widely felt to be wrong in itself.
It is the one standing pillar of a moral edifice that has long since
crumbled, in which sensual pleasure had always to be pursued in the
service of a higher cause, such as married love. Nowadays it is
difficult to express moral concerns about the pursuit of pleasure, so
these are translated into concerns about the risks that drug users
run. Right and wrong have been replaced by health and safety issues.
Drug policy has followed a similar path. With the moral pressure
eased, the authorities have been able to follow the voluntary
sector's advice and promote 'harm reduction' policies.
Instead of zero tolerance, the Home Office suggests chill-out rooms;
instead of declaring a war on drugs, it sets performance targets for
reductions in drug use. The problem is estimated to cost between
?10.6bn and ?18.8bn a year in England and Wales, almost all of it
down to a hard core of at least 281,125 'problem drug users'. These
days the name of the game is management.Fortunately for the
Government, the British have a weakness for fudge.
In the case of cannabis, many people seem to have resolved the
contradictions by deciding that it is now legal.
If middle-class parents who have stopped hiding their Rizlas from
their children could make that mistake, who can blame teenagers for
having only a hazy idea of what illegality means?
Along with the muddle, though, there is an unprecedented openness
towards dialogue about drugs.
The current tone was recently epitomised in an episode of The
Archers, with a heady scene in which teenager Fallon Rogers was able
through ecstasy to tell her mother how much she loved her. Her
mother, Jolene, responded with model concern, measured to warn, but
not alienate, her daughter.
Britain now feels relatively comfortable about drugs in part because
the country has begun to look more stable than in recent years.
Drugs were part of the upheavals of the early Eighties, and of the
onrushing consumer economy that developed later in the decade. Drugs
seemed to be symptoms of processes that were uncertain and possibly
out of control.
In the present equilibrium, conditions have never been better for a
thoughtful national conversation about drugs, despite the hectic
impression created by explosive headlines and chattering columnists.
But it may only be a pause for reflection. When the ground beneath
our feet begins to rumble, and seems to tilt once again, drugs may
get their demons back.
. Marek Kohn's Dope Girls: The Birth of the British Drug Underground
is published by Granta
__________________________________________________________________________
Distributed without profit to those who have expressed a prior interest in
receiving the included information for research and educational purposes.
---
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