MICHELLE ALEXANDER : END THE DRUG WAR, FACE JIM CROW

The NAACP has just passed a historic resolution [1] demanding an end
to the War on Drugs. The resolution comes as young black male
unemployment hovers near 50 percent and the wealth gap has become a
veritable gulf [2]. So why is the forty-year-old "War on Drugs" public
enemy number one for the nation's oldest civil rights organization?
Well, here's why: it's not extraneous, it's central: the war on drugs
is the engine of twenty-first-century discrimination--an engine that
has brought Jim Crow into the age of Barack Obama.

Author Michelle Alexander lays out the statistics--and the stories--of
twenty-first-century Jim Crow in her ought-to-blow-your-socks off book:
The New Jim Crow: Mass Incarceration in an Age of Colorblindness [3]. I
had a chance to sit down with Alexander earlier this summer. We'll be
posting the full interview in two parts.

"We have managed decades after the civil rights movement to create
something like a caste system in the United States," says Alexander in
part one [5]. "In major urban areas, the majority of African-American
men are either behind bars, under correctional control or saddled with
criminal record and once branded as criminal or a felon, they're
trapped for life in second-class status."

It's not just about people having a hard time getting ahead and
climbing the ladder of success. It's about a rigged system. Sound
familiar? Like the Pew Research Center [6] report on household wealth
and the Great Recession, the NAACP resolution story was a one-day
news-blip--despite the fact that it pierces the by-your-bootstraps myth
that is at the heart of (you pick it) the deficit, the stimulus, the
tax code... every contemporary US economic debate.

White America just maybe ought to pay attention. With more and more
Americans falling out of jobs and into debt, criminal records are a
whole lot easier to come by than life-sustaining employment. Contrary
to the conventional media version, the "Drug War" story is not a
people with problems story--it's a policing and power story that
reminds us that racism's not a figment. And it just might contain a
hint or two, too, about what a high-unemployment America could come to
look like--for all of us.