i dont think lots of people end up having kids because they plan to way in advance, what usually happens is...

1) in teens / 20's focus on fun, go to parties, travel, etc

2) in process of #1 end up meeting someone who you absolutely crave and would rather live a routine life with than continue #1 alone

3) eventually end up settling down with that person and deciding to have kids together

so personally i'm still at #1, whether the rest will happen i dunno but its more how things end up working out and not so much what my plans are...

i'll trade you one of his socks for some of that CHEEZE

I think in your life you should try to find something that has meaning and importance for you, regardless of what others think is a "useful" life, because there is no objective measure to define what is ultimately useful. For alot of people what has meaning and importance for them is raising a family, and in some ways I can relate to that point of view. If a life of pure hedonism is what you find satisfying, then I see nothing wrong in that either, as long as its not at the expense of others. Personally I see my life potentially going in completely different directions, I really dont know how I'm gonna end up so I can't really answer your question now :)

oh those were your socks??

FREAKS UNITE!!!!

ummm how many dnb parties can there be on one night???

i think doing any one drug regularly is boring..not to mention unhealthy

Have I met you?

siamese twins

butthead

desert or forest?

I'LL BEEE GOOD!!

i like sausages

that looks like a busy easter weekend..three parties already

finally a psytrance party!!

damn i missed all that funny shit by not going to that room

i'm a leo, but i've been told that i dont act like one

so please can someone tell me how a leo like me is supposed to act like? thanx

if anyone's wondering, the above is actually computer generated nonesense :)

haha hilarious

hehe i guess "+18 strictly enforced" doesn't register..

maybe it should say "+18 AND THIS TIME WE REALLY MEAN IT!!! NO JOKE!!!"

yo alex, sup

1. Neodialectic feminism and capitalist narrative

In the works of Rushdie, a predominant concept is the distinction between ground and figure. If pretextual nihilism holds, we have to choose between subcultural capitalist theory and cultural discourse. In a sense, Sartre uses the term 'capitalist narrative' to denote not theory, but neotheory.

A number of discourses concerning the absurdity, and some would say the stasis, of pretextual sexual identity may be discovered. But Baudrillard uses the term 'social realism' to denote the role of the reader as writer.

The subject is interpolated into a deconstructivist postcapitalist theory that includes language as a paradox. Thus, Bataille uses the term 'capitalist narrative' to denote the common ground between class and sexual identity.

2. Rushdie and subcultural capitalist theory

If one examines social realism, one is faced with a choice: either accept textual dematerialism or conclude that class, perhaps paradoxically, has objective value, given that sexuality is equal to language. The primary theme of the works of Rushdie is the collapse, and eventually the rubicon, of subcultural society. But Debord uses the term 'subcultural capitalist theory' to denote not, in fact, discourse, but postdiscourse.

In The Ground Beneath Her Feet, Rushdie examines the dialectic paradigm of consensus; in Midnight's Children he affirms subcultural capitalist theory. It could be said that any number of narratives concerning capitalist narrative exist.

The subject is contextualised into a social realism that includes narrativity as a totality. However, Sontag uses the term 'capitalist narrative' to denote a precapitalist reality. The economy, and thus the futility, of dialectic deappropriation intrinsic to Rushdie's The Ground Beneath Her Feet is also evident in The Moor's Last Sigh. Thus, subcultural capitalist theory implies that truth is intrinsically impossible.

3. Discourses of paradigm

The characteristic theme of Prinn's[1] model of social realism is the difference between sexual identity and sexuality. The main theme of the works of Rushdie is a self-justifying totality. In a sense, the subject is interpolated into a constructive discourse that includes consciousness as a paradox.

"Sexual identity is unattainable," says Debord. The premise of social realism suggests that the significance of the artist is deconstruction. However, the subject is contextualised into a postdialectic structural theory that includes truth as a whole.

Foucault's essay on subcultural capitalist theory holds that discourse must come from the masses. In a sense, Marx uses the term 'social realism' to denote not theory, as Lyotard would have it, but pretheory.

An abundance of dematerialisms concerning the role of the participant as artist may be found. Therefore, Bataille promotes the use of subcultural capitalist theory to modify and read consciousness.

Many discourses concerning social realism exist. But the subject is interpolated into a subcapitalist deappropriation that includes sexuality as a totality.

4. Capitalist narrative and dialectic discourse

"Class is fundamentally elitist," says Foucault; however, according to de Selby[2] , it is not so much class that is fundamentally elitist, but rather the fatal flaw of class. Any number of desituationisms concerning not narrative, but neonarrative may be revealed. Thus, Baudrillard uses the term 'subcultural capitalist theory' to denote the common ground between society and truth.

The characteristic theme of Sargeant's[3] model of social realism is not dematerialism, as subcultural capitalist theory suggests, but predematerialism. Dialectic discourse implies that the establishment is part of the economy of culture, given that the premise of capitalist posttextual theory is invalid. But Debord suggests the use of dialectic discourse to deconstruct class divisions.

Many theories concerning Baudrillardist simulation exist. Therefore, the main theme of the works of Rushdie is the role of the reader as writer.

Von Junz[4] suggests that we have to choose between social realism and the patriarchialist paradigm of consensus. It could be said that the subject is contextualised into a dialectic discourse that includes sexuality as a whole. If social realism holds, we have to choose between subcultural capitalist theory and precultural narrative. In a sense, McElwaine[5] holds that the works of Pynchon are postmodern.

Bataille's analysis of dialectic discourse states that discourse is created by the collective unconscious. But in V, Pynchon denies subcultural capitalist theory; in Mason & Dixon, however, he affirms dialectic discourse.

is it just me or is it the same high pitched female voice on every hhc song?

my guess is that something on the program when you turned on the television triggered your memory of your dream..but since memories of dreams are not clear (and hence very malleable) you recalled that your dream was closer to the television program than it actually was

I have done literally nothing of significance since January..but that will change once summer starts.

This was my first hhc party, to be honest I prefer the more trance influenced hhc to the cheezy vocal hhc, but thats just me. The crowd reached its peak during Tipsy and Jare Fox's sets, and during this time the vibe, for lack of a better word, was quite incredible. The MC seemed to be sincerely impressed by the montreal party people, big up to all of yous :) The sound was alot better than last week too. Thanks tipsy and noah for a fun night!

see "gullible" thread

reminds me of being a little kid and my mom saying "finish all your food or you cant leave the table"

nice :)

interesting ummm article hehe

this thread funny

is this the place where if you dont eat your desert you can never come back?

yah i agree, i dont take drugs at jungle parties xcept for one *cough* interesting time on mushrooms hehe

hi, my name is DJ Spoilt B'Stard

yes they are guys. and its a male voice on the track. and theyr from NEW ZEALAND!!!

thanks seb!

dark humor is the BEST!!!

there is female nudity on the bal en blanc ad, tasteful but not nearly as creative as this gucci ad

as for body types, there are many differnt shapes and sizes people naturally come in. just as its wrong to assume that a fat person sits in front of the tv all day eating ice cream out of the box, its also wrong to assume that a skinny person starvs themselves to look like that

you know whose cigarrete warnings that "studies have shown that cigareets are harder to quite than cocaine and heroin" ? the crazy thing is it actually might be true

i'm gonna have to find a roommate or place to live next september

i'm a monkey but that doesnt fit me at all

simon your too funny man