Bleep - May 1st 2003
| Good [+1]Toggle ReplyLink» linewireink replied on Sat Apr 12, 2003 @ 2:46pm |
 Coolness: 42695 | Clonk and Level 4 Presents
BLEEP Featuring: Stephen Beaupre (montreal) - Musique Risquee Fishead (montreal/winnipeg) - Northern Hardcorps, Low Res naw (montreal) (LIVE PA) - clonk, piehead, noise factory, [ www.techno.ca ] Sarcastic (montreal) - level 4 productions Date: May 1st 2003 Location: Amnesia, 1421 Bishop, Montreal Tickets: $4 at the door Info: [ www.techno.ca ] [ www.level4productions.com ] infoline 514.301.6971 BLEEP is a monthly electronic music experiment in the heart of downtown Montreal, bringing together two of the city's foremost promoters and innovators of cutting edge techno, Clonk and Level 4 Productions. Residents 'naw' and Sarcastic will provide both live laptop sets and DJ sets at each event, guest artists will showcase the freshest sounds that Montreal has to offer. |
| Good [+1]Toggle ReplyLink» linewireink replied on Wed Apr 16, 2003 @ 4:37pm |
| Coolness: 42695 | |
| Good [+1]Toggle ReplyLink» PitaGore replied on Wed Apr 16, 2003 @ 5:07pm |
 Coolness: 472505 | Sweet ! |
| Good [+1]Toggle ReplyLink» Bunnytronix replied on Wed Apr 16, 2003 @ 5:18pm |
 Coolness: 153210 | Mother O lord, it's the Click attack!
Followed by a massive cut. the s'more clicks. Is there a way to get tkts for this? I want to invite my estranged alter ego. |
| Good [+1]Toggle ReplyLink» PookStah replied on Wed Apr 16, 2003 @ 6:06pm |
| Coolness: 106615 | im there...im actually going to come this time
***** bOOyAH mandee |
| Good [+1]Toggle ReplyLink» linewireink replied on Thu Apr 17, 2003 @ 10:45am |
| Coolness: 42695 | no advanced tickets for this 4 dollars at the door looking forward to seeing you all out at this months event... we have some good stuff planned for the rest of the summer on the bleepy front... so make sure you make it out on a monthly basis...
:) |
| Good [+1]Toggle ReplyLink» Czarkastik replied on Fri Apr 18, 2003 @ 7:23pm |
 Coolness: 149705 | [Fishead] [ fishead.gabber.org ]
"Before his eyes a kaleidoscopic range of fantasmal images played, all of them dissolving at intervals into the picture of a vast, unplumbed abyss of night wherein whirled suns and worlds of an even profounder blackness. He thought of the ancient legends of Ultimate Chaos, at whose center sprawls the blind idiot god Azathoth, Lord Of All Things, encircled by his flopping horde of mindless and amorphous dancers..." -H.P.Lovecraft It may be fiction, but in some ways Lovecraft's ominous Haunter Of The Dark really does exist. The words conjure up a vision of a dark warehouse where a lone figure conducts the movements of the horde. This figure isn't the blind idiot god of lore, but rather a DJ who mimics that essence behind an altar adorned with turntables: presiding over the madness and deciphering the codes hidden in the grooves. The decoded message is then amplified through speakers and the sonic tentacles draw out your pain through the ecstasy of movement. You are made a slave to the beat, marching to the drum of a sinister power. Zombified by the aneurythms of tech-step, the entropy of speedcore and the pure abyss of noise. This is the unique experience promised by one of Canada's most respected DJs in the hardcore genre: Fishead. In just a few short years he has managed to build a reputation that far exceeds his Winnipeg roots. He's been booked coast to coast across North America and, in the process, has built up an impressive resume that includes gigs for some of the continent's most respected promoters and praise from many of his peers. As well as being considered an influence behind the decks, he has also helped to give the underground a strong voice with his written contributions to a variety of electronic music magazines including Skreem, Activated, Deadly Type and a long standing relationship with Massive. This, however, only covers one facet of what he does. In addition to the Fishead pseudonym he also plays techno as C-Horse, drum & bass as Piranha and has produced noise music as The Bastard God. Any of these 'personalities' can manifest itself at any point during a set. It's not uncommon for pounding kick drums to sneak into a Piranha set, nor is it odd for a techno set to mutate into hardcore or jungle or both. There is no set list, no rehearsal, no specific way to play any given record. It's all about spontaneous creation. He credits a number of DJs for pushing him in this direction, and the only thing that they really have in common is a willingness to try something new. His influences span many genres and include performers like Titonton, Terrence Parker, Dan Doormouse, Richie Hawtin, Claude Young and a large number of turntablists. "Those are the DJs who will surprise you by doing the most bizarre shit," he says. "They'll play records backwards by hand, scratch, juggle beats... in short, they'll do whatever it takes to knock things off balance and keep them teetering on the cutting edge. When I hear from someone who thinks about me that way, then I know I've done my job." !ONELOVE |
| Good [+1]Toggle ReplyLink» linewireink replied on Wed Apr 23, 2003 @ 1:43pm |
| Coolness: 42695 | [Stephen Beaupre] -Musique Risquee
Since he began djing 6 years ago, Stephen has always been dedicated to the audience, crafting his sets in an extrovert manner by interpreting the response of the crowd, by playing with the audience instead of for the audience. Always funky, his sets combine house and groovy techno in a sometimes deep, sometimes energetic and rarely linear style. With technical precision, Stephen keeps his mixing active by constructing new loops from isolated elements of tracks, always trying to assemble new shuffled rhythms and melodies. Having played in lounge atmospheres, clubs and raves, he is able to adapt to new environments in a perceptive and empathetic way making his djing very accessible and grounded. It is this same pursuit of discovering new shuffled patterns of rhythms and combination of sound that has brought Stephen to begin producing music in the minimal techno and house genre. A student of fine arts and electro-acoustic music, he has always been interested in construction of form and pattern. Influenced greatly by the Russian constructivists, his sculptures retain the same elements of self contained geometric forms derived not from emotion but from logical progression. His music however is quite emotive, built with found sounds taken from field recordings and sampled mediaOften quite full, Stephen's music goes for shuffle and groove while remaining standard floor tracks. With heavy reggae influenced basslines and found sound percussion, his heavily textured micro sequenced music is an expression of confusion, cohesion and fragmentation both funky and anxious at the same time. This direction in music inevitably brought on the collision which is Crack Haus Crack Haus is the bastard child of Techno and House: the family secret. Unlike Akufen whom one can present to the world saying "look at our beautiful hybrid of house and techno. Isn't he great?" Crack Haus lives under the stairs, and eats bugs. The first Crack Haus release was on the Force inc compilation "Montreal Smoked Meat". Recently, they remixed the Akufen's hit single "Deck the House" released may 2002 with an additional remix by Herbert. Future releases for Crack Haus include 12 inches on "Touch of Class", and "Risquée". As well, a full length album is set for a tentative January release. The live sets of Crack Haus are energetic and thumping, groovy and sloppy, deep and piercing, 4/4 music that's had one to many pints. "Musique Risquée" was then born to represent just such a style: the funky glitch minimal house of Montreal. Along with Akufen, Deadbeat and Vincent Lemieux, Stephen Beaupré has been involved in making Risquée a reality for the past year. Focusing primarily on artists in Montreal, the goal of Risquée is to promote the aesthetic of the city's minimal scene (made popular by events like Mutek and FCMM) in a funky and accessible manner, at the same time "listening music" and dance floor friendly. Always pushing the envelope in quality and technique, Risquée is simultaneously fun and groovy as it is introspective. |
| Good [+1]Toggle ReplyLink» Bunnytronix replied on Wed Apr 23, 2003 @ 6:09pm |
| Coolness: 153210 | Crack hause in da hizzouse!
I'm fucking pissed about not going to see him on the 29th in NYC... I have an exam that morning in MTl... + I'm goignm this week-end... I think I'll just fucking flush that course man! |
| Good [+1]Toggle ReplyLink» linewireink replied on Thu Apr 24, 2003 @ 12:28pm |
| Coolness: 42695 | yeah crackhaus played at the first clonk event (autum resound) as the sat this past fall and they rocked the house...
neil.. |
| Good [+1]Toggle ReplyLink» nter replied on Sat Apr 26, 2003 @ 10:25pm |
 Coolness: 93195 | bump |
| Good [+1]Toggle ReplyLink» linewireink replied on Mon Apr 28, 2003 @ 3:07pm |
| Coolness: 42695 | bomp |
| Good [+1]Toggle ReplyLink» OMGSTFUDIEPLZKTX replied on Mon Apr 28, 2003 @ 3:28pm |
| Coolness: 67215 | this looks interesting...
only $4 too! how much are drinks? |
| Good [+1]Toggle ReplyLink» linewireink replied on Mon Apr 28, 2003 @ 3:45pm |
| Coolness: 42695 | drinks are super cheap.... |
| Good [+1]Toggle ReplyLink» El_Presidente replied on Mon Apr 28, 2003 @ 3:46pm |
 Coolness: 300025 | SCHLONG! |
| Good [+1]Toggle ReplyLink» OMGSTFUDIEPLZKTX replied on Mon Apr 28, 2003 @ 3:55pm |
| Coolness: 67215 | getting drunk
listening to experimental electronic music sounds like an interesting night! |
| Good [+1]Toggle ReplyLink» Czarkastik replied on Tue Apr 29, 2003 @ 1:08am |
| Coolness: 149705 | agreed.
xperimental music + rum + dark, blue-ish lighting scheme + tons of alcohol + naw's ill oldschool visual projections (knock on wood***) + rum much alcohol (appllleetttooonnneeeeeeeeeez)+ much beer + alcohol + alcohol + eating poo + alcohol + alcohol + dead candy ravers + alcohol + alcohol= yeggs !oNe LoVe |
| Good [+1]Toggle ReplyLink» daFTWin replied on Tue Apr 29, 2003 @ 1:18am |
 Coolness: 277135 | you fergot to add big tittied bartender to that. |
| Good [+1]Toggle ReplyLink» Screwhead replied on Tue Apr 29, 2003 @ 1:18am |
 Coolness: 686290 | I'll have my camera ready to take pictures of Chelsea exploding all over herself again... |
| Good [+1]Toggle ReplyLink» da_instagatah replied on Tue Apr 29, 2003 @ 3:44am |
 Coolness: 144930 | steve said yeggs.
now THAT is awesome, awesome. wu-tang, wu-tang. |
Bleep - May 1st 2003
[ Top Of Page ] |
Post A Reply |
You must be logged in to post a reply.
[ Top Of Page ] |
